Nora Durst is my favorite Leftovers character. Her no-nonsense, tell it like it is, rational-minded personality would be a joy to watch in any scenario. It’s elevated so much more given the circumstances of this world, and what she’s personally been through. And she has certainly been through a lot. After all, she’s “Nora Cursed”.
It’s so wonderful to have The Leftovers back.
The third and final season premiere, “The Book of Kevin”, opens with a flashback scene. It serves a similar purpose to last season’s Cavewoman sequence. It sets the tone thematically for the weeks to come. We’re placed in the 1800’s, following a woman and her family as they wait repeatedly for an impending visit from a higher power. Her husband and child eventually give up and leave, but she persists. The event never takes place. The woman alone is left to wander through a nearby town while everyone stares and laughs.
Chuck’s only friend is the law.
The straightforward, step-by-step nature of Better Call Saul’s storytelling approach allows us to experience the persistence and cleverness of its characters. In the season three premiere, “Mabel”, Mike methodically tears apart his car, searching for a tracking device. The lengths he will go to find an upper-hand is an example of just how dangerous of an adversary he is. After a brilliant series of steps, he turns the tracking device around on those who planted it. It’s classic Mike, and it never gets old.
So that’s what Shoshanna has been up to all this time. My one complaint about this otherwise excellent final season of Girls has been the lack of Shosh on my TV screen. She has appeared, but only in support of Ray’s story. Well, “Goodbye Tour” justifies this problem, and manages to give her absence narrative significance.
When Hannah shows up to Shosh’s apartment and discovers she hasn’t been invited to her engagement party (neither did she know Shosh was engaged), it’s a sobering realization of just how distant their relationship has become. This season has focused on Hannah more closely than ever, so it makes sense that Shosh’s major life news is as much of a shock to viewers as it is for Hannah.
King Ezekiel rides into Alexandria with his medieval times troupe of warriors, and it’s funny and satisfying in the most absurd way. We’re seven seasons into The Walking Dead, and the writers need to embrace this silliness more often. The rails fell off a long time ago. The show has built itself a world of over-the-top cartoon characters, so why not lean into them?
Instead, showrunner Scott Gimple and his crew seem to think they’re making prestige TV. I cringed during Maggie’s speech in the final moments of this week’s finale, “The First Day of the Rest of Your Life.” It attempts to honor Glenn and bring the entire series together with some profound statement about family and survival. However, it’s forced, unearned, and frankly makes no sense given the context of the episode. The writers think they’re poetic, but come across as pretentious.
Wow. I’m completely blown away by the finale of Big Little Lies. “You Get What You Need” is a masterful conclusion to an excellent series. It’s the most tense hour of television I’ve seen in a long time.
“From the ashes we will rise” has been the tagline for The 100’s fourth season. As Monty discovers in this week’s episode, titled “God Complex”, it’s also a clue to reaching salvation. He puts Jaha’s coin in the fire, which melts and transforms it into a key, allowing access to the newly discovered fallout bunker.